{"id":430,"date":"2025-02-22T05:13:49","date_gmt":"2025-02-22T05:13:49","guid":{"rendered":"https:\/\/lindsaylibrarian.com\/?page_id=430"},"modified":"2025-02-22T05:23:18","modified_gmt":"2025-02-22T05:23:18","slug":"publications-2","status":"publish","type":"page","link":"http:\/\/lindsaylibrarian.com\/?page_id=430","title":{"rendered":"Publications"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Books &amp; Chapters<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"768\" height=\"1024\" src=\"https:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-768x1024.jpg\" alt=\"\" class=\"wp-image-431 size-full\" srcset=\"http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-768x1024.jpg 768w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-225x300.jpg 225w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-1152x1536.jpg 1152w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-1536x2048.jpg 1536w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-1140x1520.jpg 1140w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2025\/02\/PXL_20240614_155707410.MP_-scaled.jpg 1920w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/ecwpress.com\/products\/national-treasure\" target=\"_blank\" rel=\"noreferrer noopener\">National Treasure: Nicolas Cage<\/a><\/strong><br>ECW Press, 2015<\/p>\n\n\n\n<p>Debunking the common claim that Nicolas Cage makes bad choices. Nicolas Cage knows what he\u2019s doing and, as a result, he\u2019s the most experimental and original actors we have.<br>Gold medal winner in the Pop Culture category at 2016\u2019s Independent Publisher Book Awards.<br>National Post&#8217;s <a href=\"https:\/\/nationalpost.com\/entertainment\/books\/np99-best-books-2015\" target=\"_blank\" rel=\"noreferrer noopener\">Top Books of 2015<\/a> List<\/p>\n<\/div><\/div>\n\n\n\n<p><strong>Yule Lads<\/strong><br>(illustrated by Matthew Daley), 2017<br>A collection of stories about the origins of the Icelandic Yule Lads and their unique personalities.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/litwinbooks.com\/books\/comics-and-critical-librarianship\/\" target=\"_blank\" rel=\"noreferrer noopener\">Comics &amp; Critical Librarianship<\/a><\/strong><br>Library Juice Press, edited by Olivia Piepmeier &amp; Stephanie Grimm, 2019<br>Chapter \u201cMinicomics Workshops and Comic Arts Fairs to Empower Our Communities.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Professional Publications<\/h2>\n\n\n\n<p><strong><a href=\"https:\/\/alair.ala.org\/handle\/11213\/18623\" target=\"_blank\" rel=\"noreferrer noopener\">Best Practices for Cataloging Comics and Graphic Novels Using RDA and MARC21<\/a><\/strong>\u00a0<br>American Library Association Graphic Novels and Comics Round Table<br>A document that guides cataloguers and metadata specialists through best practices for cataloguing comics and graphic novels in various settings.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Magazines and Online articles<\/h2>\n\n\n\n<p><strong><a href=\"https:\/\/accessola.com\/wp-content\/uploads\/2024\/03\/TingL-30.3-Web-Version.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Multimodal Literacies: the superpowers inherent in reading comics<\/a><\/strong>, The Teaching Librarian \u2013 2023<br>An expansion of a conference presentation about the various levels of literacy needed to read comics from the Ontario Library Association Super Conference (written with Amie Wright)<\/p>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.booklistonline.com\/-Reframing-the-Narrative-Comic-Books-and-a-Still-Lingering-Historical-and-Pedagogical-Bias-Amie-Wright\/pid=9779957\" target=\"_blank\">\u201cReframing the Narrative\u201d: Comic Books and a still lingering historical and pedagogical bias<\/a><\/strong>\u00a0<br>Booklist \u2013 2023<br>An argument in support of comics as educational texts (written with Amie Wright)<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"684\" src=\"http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2020\/02\/Nicolas-Cage-Color-Out-Of-Space-1024x684.jpg\" alt=\"Nicolas Cage in sunglasses and a hat\" class=\"wp-image-348 size-full\" srcset=\"http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2020\/02\/Nicolas-Cage-Color-Out-Of-Space-1024x684.jpg 1024w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2020\/02\/Nicolas-Cage-Color-Out-Of-Space-300x200.jpg 300w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2020\/02\/Nicolas-Cage-Color-Out-Of-Space-768x513.jpg 768w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2020\/02\/Nicolas-Cage-Color-Out-Of-Space.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/nowtoronto.com\/movies\/tiff2019\/tiff-2019-color-out-of-space-nicolas-cage\/\" target=\"_blank\" rel=\"noreferrer noopener\">TIFF 2019: Color Out of Space<\/a><\/strong>\u00a0NOW magazine online \u2013 September 2019<br>Coverage of the premiere of Richard Stanley\u2019s H.P. Lovecraft adaptation at TIFF. Nicolas Cage was present and sang a song he made up.<\/p>\n<\/div><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/nowtoronto.com\/movies\/features\/marco-kyris-nicolas-cage\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolas Cage\u2019s stand-in steps out in Hot Docs short Uncaged<\/a>\u00a0<\/strong>NOW magazine online and print \u2013 April 2019<br>An interview and profile of Marco Kyris, Nicolas Cage\u2019s stand-in from 1994-2004.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/web.archive.org\/web\/20211129090127\/https:\/\/nowtoronto.com\/lifestyle\/education\/progressive-sex-ed-curriculum-resources\" target=\"_blank\" rel=\"noreferrer noopener\">Toronto bookstores and designers are stepping up to fill the sex-ed void<\/a><a href=\"https:\/\/nowtoronto.com\/lifestyle\/education\/progressive-sex-ed-curriculum-resources\/\">\u00a0<\/a><\/strong>NOW magazine online \u2013 July 2018<br>Rounding up resources from activists, artists and booksellers that could help teachers and parents in the wake of the Ontario government\u2019s roll-back of the sex-ed curriculum.<\/p>\n\n\n\n<p><em><strong><a href=\"https:\/\/brokenpencil.com\/features\/deaf-zinesters-wont-wait-up\/\" target=\"_blank\" rel=\"noreferrer noopener\">Deaf Zinesters Won\u2019t Wait Up<\/a><\/strong><\/em>\u00a0Broken Pencil magazine \u2013 Spring 2018<br>Profiling the work and activism of deaf zinemakers.<br>\u201cThe intersecting experiences and barriers encountered by Deaf folks have long played out in zines by Deaf creators. Looking back to the 1990s Riot Grrrl zines, Lynn Y Hou\u2019s zine\u00a0<em>Cyanide<\/em>\u00a0was born from similar desires to deal with varying aspects of identity.\u201d<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/medium.com\/the-establishment\/our-queer-childrens-heroes-3657f4b6fe5d\" target=\"_blank\" rel=\"noreferrer noopener\">Our Queer Children\u2019s Heroes<\/a>\u00a0<\/strong>The Establishment \u2013 June 2016<br>\u201cWhen television shows for children break heteronormative barriers, they stretch the relative powers of their characters and allow children to not only see themselves or their relatives in their programming, but to see that the world is bigger than what children\u2019s programming has traditionally shown them.\u201d<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:20% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"316\" src=\"http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2012\/05\/peeweebigholiday.jpg\" alt=\"\" class=\"wp-image-317 size-full\" srcset=\"http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2012\/05\/peeweebigholiday.jpg 600w, http:\/\/lindsaylibrarian.com\/wp-content\/uploads\/2012\/05\/peeweebigholiday-300x158.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><a href=\"https:\/\/www.overthinkingit.com\/2016\/03\/23\/52719\/\" target=\"_blank\" rel=\"noreferrer noopener\">Why Pee-wee Works for a Big, New Generation<\/a><\/strong>\u00a0<em>Overthinking It<\/em>\u00a0\u2013 March 2016<br>Examining the queerness and agelessness of Pee-wee Herman and why these are the keys to his longevity.<br>\u201cPee-wee\u2019s most literal message is that difference should be embraced, not feared.\u201d<\/p>\n<\/div><\/div>\n\n\n\n<p><strong><a href=\"https:\/\/web.archive.org\/web\/20230326213532\/https:\/\/bitchmedia.org\/article\/cut-paste-biographical-zines\" target=\"_blank\" rel=\"noreferrer noopener\">Biographical Zines<\/a><\/strong>\u00a0<em>Bitch magazine\u00a0<\/em>\u2013 December 2015<br>\u201cHistory shouldn\u2019t be treated as static information\u2014biographical zines offer a way to tell stories of the many marginalized figures who are overlooked in textbooks. As a genre, biographical zines may not be as well known, but they\u2019re definitely worth digging up.\u201d<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/www.brokenpencil.com\/news\/educating-with-zines\" target=\"_blank\" rel=\"noreferrer noopener\">Educating with Zines<\/a><\/strong>\u00a0<em>Broken Pencil<\/em>\u00a0\u2013 Fall 2013<br>\u201cBy mediating the zine-making, teachers run the risk of losing the original point of zines \u2014 creating a piece that follows the creator\u2019s own rules \u2014 and they may unwittingly blur the lines between a zine and an essay that is folded to look like a zine. \u2018As soon as zines get known, they get co-opted. So, I feel like teachers can share what a zine is or do some exercises with zines, or support their students that make zines, but they shouldn\u2019t get too involved.&#8217;\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Trade Publications<\/h2>\n\n\n\n<p><strong><a href=\"http:\/\/playbackonline.ca\/2011\/09\/14\/playback-2011-canadian-film-and-tv-hall-of-fame-tantoo-cardinal\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tantoo Cardinal<\/a><\/strong>\u00a0\u00a0<em>Playback<\/em>\u00a0\u2013 2011<br>Profile of Tantoo Cardinal, a legendary Canadian actress who\u00a0 has dedicated her life to the arts and ensuring that Indigenous Peoples are well represented within them.<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/realscreen.com\/2009\/11\/12\/nfbfir-20091112\/\" target=\"_blank\" rel=\"noreferrer noopener\">Reinventing the word \u2018documentary\u2019\u00a0<\/a><\/strong><a href=\"http:\/\/realscreen.com\/2009\/11\/12\/nfbfir-20091112\/\">\u00a0<\/a>\u00a0<em>Realscreen<\/em>\u00a0\u2013 2009<br>A piece on the NFB\u2019s innovative Filmmaker in Residence project which embedded a documentary filmmaker into Toronto\u2019s St. Michael\u2019s Hospital.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.realscreen.com\/articles\/magazine\/20090901\/berlinger.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Right Place, Right Time<\/strong>\u00a0<\/a>\u00a0<em>Realscreen<\/em>\u00a0\u2013 2009<br>Profile of documentarian Joe Berlinger, director of films such as\u00a0<em>Paradise Lost<\/em>,\u00a0<em>Metallica: Some Kind of Monster<\/em>\u00a0and\u00a0<em>Crude<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Books &amp; Chapters National Treasure: Nicolas CageECW Press, 2015 Debunking the common claim that Nicolas Cage makes bad choices. Nicolas Cage knows what he\u2019s doing and, as a result, he\u2019s the most experimental and original actors we have.Gold medal winner in the Pop Culture category at 2016\u2019s Independent Publisher Book Awards.National Post&#8217;s Top Books of 2015 List Yule Lads(illustrated by Matthew Daley), 2017A collection of stories about the origins of the Icelandic Yule Lads and their unique personalities. Comics &amp; Critical LibrarianshipLibrary Juice Press, edited by Olivia Piepmeier &amp; Stephanie Grimm, 2019Chapter \u201cMinicomics Workshops and Comic Arts Fairs to Empower Our Communities.\u201d Professional Publications Best Practices for Cataloging Comics and Graphic Novels Using RDA and MARC21\u00a0American Library Association Graphic Novels and Comics Round TableA document that guides cataloguers and metadata specialists through best practices for cataloguing comics and graphic novels in various settings. Magazines and Online articles Multimodal Literacies: the superpowers inherent in reading comics, The Teaching Librarian \u2013 2023An expansion of a conference presentation about the various levels of literacy needed to read comics from the Ontario Library Association Super Conference (written with Amie Wright) \u201cReframing the Narrative\u201d: Comic Books and a still lingering historical and pedagogical bias\u00a0Booklist \u2013 2023An argument in support of comics as educational texts (written with Amie Wright) TIFF 2019: Color Out of Space\u00a0NOW magazine online \u2013 September 2019Coverage of the premiere of Richard Stanley\u2019s H.P. Lovecraft adaptation at TIFF. Nicolas Cage was present and sang a song he made up. Nicolas Cage\u2019s stand-in steps out in Hot Docs short Uncaged\u00a0NOW magazine online and print \u2013 April 2019An interview and profile of Marco Kyris, Nicolas Cage\u2019s stand-in from 1994-2004. Toronto bookstores and designers are stepping up to fill the sex-ed void\u00a0NOW magazine online \u2013 July 2018Rounding up resources from activists, artists and booksellers that could help teachers and parents in the wake of the Ontario government\u2019s roll-back of the sex-ed curriculum. Deaf Zinesters Won\u2019t Wait Up\u00a0Broken Pencil magazine \u2013 Spring 2018Profiling the work and activism of deaf zinemakers.\u201cThe intersecting experiences and barriers encountered by Deaf folks have long played out in zines by Deaf creators. Looking back to the 1990s Riot Grrrl zines, Lynn Y Hou\u2019s zine\u00a0Cyanide\u00a0was born from similar desires to deal with varying aspects of identity.\u201d Our Queer Children\u2019s Heroes\u00a0The Establishment \u2013 June 2016\u201cWhen television shows for children break heteronormative barriers, they stretch the relative powers of their characters and allow children to not only see themselves or their relatives in their programming, but to see that the world is bigger than what children\u2019s programming has traditionally shown them.\u201d Why Pee-wee Works for a Big, New Generation\u00a0Overthinking It\u00a0\u2013 March 2016Examining the queerness and agelessness of Pee-wee Herman and why these are the keys to his longevity.\u201cPee-wee\u2019s most literal message is that difference should be embraced, not feared.\u201d Biographical Zines\u00a0Bitch magazine\u00a0\u2013 December 2015\u201cHistory shouldn\u2019t be treated as static information\u2014biographical zines offer a way to tell stories of the many marginalized figures who are overlooked in textbooks. As a genre, biographical zines may not be as well known, but they\u2019re definitely worth digging up.\u201d Educating with Zines\u00a0Broken Pencil\u00a0\u2013 Fall 2013\u201cBy mediating the zine-making, teachers run the risk of losing the original point of zines \u2014 creating a piece that follows the creator\u2019s own rules \u2014 and they may unwittingly blur the lines between a zine and an essay that is folded to look like a zine. \u2018As soon as zines get known, they get co-opted. So, I feel like teachers can share what a zine is or do some exercises with zines, or support their students that make zines, but they shouldn\u2019t get too involved.&#8217;\u201d Trade Publications Tantoo Cardinal\u00a0\u00a0Playback\u00a0\u2013 2011Profile of Tantoo Cardinal, a legendary Canadian actress who\u00a0 has dedicated her life to the arts and ensuring that Indigenous Peoples are well represented within them. Reinventing the word \u2018documentary\u2019\u00a0\u00a0\u00a0Realscreen\u00a0\u2013 2009A piece on the NFB\u2019s innovative Filmmaker in Residence project which embedded a documentary filmmaker into Toronto\u2019s St. Michael\u2019s Hospital. Right Place, Right Time\u00a0\u00a0Realscreen\u00a0\u2013 2009Profile of documentarian Joe Berlinger, director of films such as\u00a0Paradise Lost,\u00a0Metallica: Some Kind of Monster\u00a0and\u00a0Crude.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/pages\/430"}],"collection":[{"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=430"}],"version-history":[{"count":8,"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/pages\/430\/revisions"}],"predecessor-version":[{"id":443,"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=\/wp\/v2\/pages\/430\/revisions\/443"}],"wp:attachment":[{"href":"http:\/\/lindsaylibrarian.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}